Category Archives: Articles

The End Of Politicians – Forthcoming Book by Brett Hennig

The End of Politics

Bleg: Hi Brett! So you have a new book/theory coming out. My understanding, at least in gist, is that it argues we should scrap politicians altogether? or that the ever exponentiating calamity & crisis that seems to be engirdling the modern world derives from their constant misrule & malfeasance so their existence/empowerment needs to be seriously questioned/contested. Please elaborate/set-it straight about the book & your ideal/solution to this ghastly emergency that’s shunting us towards extinction or worse. Continue reading The End Of Politicians – Forthcoming Book by Brett Hennig

Beyond The 36 Chambers – Submerged & Secluded Hardcore Rap Classics

Beyond The 36 Chambers

Monocentralism. Univision & the disabling, obstruction or omission of pluralities.. Converge & scramble on whomever first surpasses the corporate margin or acceptable fame saturation/product definition.

The Wu Tang Clan story is pretty familiar now, & despite the worn canvas it’s still a very important & genuine yarn of profound creativity. Also, it almost did not happen & was met with dismissal & dubiety by soulless corporate shit-sacks that should of known better & should have been in another profession & position entirely (washing dishes perhaps?). Continue reading Beyond The 36 Chambers – Submerged & Secluded Hardcore Rap Classics

Kikanju Baku (drums), Michael Gregory Jackson (electric guitar/FX/pedals), Joseph Daley (tuba/FX) – Endogeny & Exogamy CD 2016


A major maverick eruption & ginormous flouting of rules & conventions! Recorded in July 2015, Endogeny & Exogeny, an entirely improvised excursion with all three musicians never having previously played together & recorded in a single day, severely effloresces the Avant-Jazz, Extreme Improvisation & “Cosmic” tilting genre/terrain to new escarpments. From some of the most drastic, frenzied & chaotic turbulence, to hyper baroque & consistently complex nuances & sensitivities, sprawling space-scapes, foreign-planets & supernatural eco-systems, anomalous Continue reading Kikanju Baku (drums), Michael Gregory Jackson (electric guitar/FX/pedals), Joseph Daley (tuba/FX) – Endogeny & Exogamy CD 2016

Autocracy In The UK – Never Mind The Bullingdon Boys (by Debunk Dudayev)

Decode n’ Debunk deconstruct th daily disinformation & duplicity. 

Autocracy In The UK-Never Mind The Bullingdon Boys (by Debunk Dudayev):

bollocks 1_ed

Whenever a bank tells me to “never mind”, I get a little nervous. Celebrating “Anarchy In The UK”, by a bank, at a time of unsurpassed rabid bank-corporation-financial-sector-nabob-politician related scourge & turbo regressionism, impoverization social cleansing, fatal-austerity & free market extremism does seem a bit like a hit & run driver rubbing the injured pedestrians face in the wreckage of their crushed bike. But then again, perhaps it’s just a rare moment of honesty? As the banks continue to run amok, imperil & wreck-havoc pushing us towards a second “crash” in tandem with their Westminster cronies…oh & the terrorists, narco-moguls, human traffickers, despot regimes & shadow capital big-shots that supply them with so much of their business & wealth.

Anyways, Virgin Money have issued these two new credit cards baring two versions of Sex Pistols cover art & slogans. How you view ostensibly raw street based dissent & rejectionist music/sub-culture now representing croesus conglomerates, consumerism & banking I will leave to yooz lot. But the argument of the ultimate commodification & commercial compromise is so on the table it is the table.  Still, John Lydon has been known to vociferously back Israel whilst chiding the Palestinians, participated in I’m A Celebrity Get Me Out Of Here & been the mascot for Anchor’s Utterly Butterly range. Like I said, the table.

bollocks 2_ed

The art & words are the same, but the meaning has totally altered. To co-opt & subvert (but exploit the original artistic credibility), like using a piece of kitchen or gardening equipment for a killing (a neutral instrument turned effective murder weapon).  Multiple meanings, hidden or optional, contorted & corrupted. “Never Mind” – accept, acquiesce, submit, do not contest. “mind” – being aware, thinking, being cognizant, analysing & formulating your own ideas, not being duped. “Never Mind”- don’t think, don’t understand, don’t be aware, ignore, supress, neglect.. the perfect victim. It’s the perfect stealth diktat for a credit card. Oblivion, blindness & expenditure. The punk/Sex Pistols addition also garnishes the whole concept/transaction with that slight glaze of “alternative”, tricking the gudgeons into faux non-conformity by way of association. Whatever useless shit you’re paying for, you can feel “punk” about it. drudgery “with attitude”. A fruit pastel for the condemned, some sugar in the slaughter. What a fuckin’ joke! “The Bollocks”- we could interpret this in many ways, but the context makes it so obvious. Spiralling political corruption, a Tory majority poised to inflict five years of total ruination & rape, rapidly expanding poverty, exponential degradation of living standards & quality of life, Westminster & high level establishment paedophile rings & sexual child murdering by MPs, a homeless crisis, a housing crisis, a prisons crisis, a domestic violence/violence against women crisis, a policing crisis, an air pollution crisis, a welfare crisis, an NHS crisis, ongoing austerity (i.e.  acceptable extremism), proliferating plutocracy, hyper privatization & the mass selling-off of public assets at derisible prices to banks & vulture capitalists, deregulation, police state/snoopers charter/surveillance-state incrementation, the big push for Fracking in the UK, the curtailing of Human Rights whilst simultaneously scrambling for greater rights for the already practically invulnerable Corporations through TTIP/TPP etc, ongoing financial crisis, precariousness, malfeasance & recklessness with a second financial crash all but guaranteed & an utterly mad chancellor hell bent on inculcating it as fast as possible….i could go on & on (& I am keeping it basically domestic without straying into the state of the world or the biggest horror of the lot, Climate Catastrophe & the governments total inaction on this existential emergency), but we are basically engirdled with a conglomeration of crisis & calamity of almost unimaginable scale, that’s just increasing. I think we can call this – “The Bollocks” & it needs all of our attentions & priority NOW! of course at Virgin Money they would rather you just whacked it on your credit card & remained docile & abstracted! Consumption is the answer. never mind the bollocks, here’s mindless capitalism to mero-anesthetize your mind, distract & impair, divert & stunt.

bollocks 3_ed

Rebrand banking. Responsible banking, cool banking, hipster friendly banking. Like, your not a yuppie if you have a customized bank card linked to something allegedly edgy. On the advert, Virgin Money proclaim – “The Sex Pistols challenged the established ways of thinking-just as we are doing today in our quest to shake up UK banking.” So help “shake up?” UK banking by getting a customized credit card like a nonce. Again, this entire proclamation is deadly without clarity on which “established ways of thinking” are being targeted?! The psycho demolition freak George Osborne is “shaking up” the economic consensus with his indescribably perverse “Mr Micawber” Economics that he recently unveiled. As if basing your economic strategy in a time of dire emergency on a fictional character from a Charles Dickens novel isn’t a sure sign that this guy should be in a padded cell, SEVENTY SEVEN top economic academics (including Cambridge professor Ha Joon Chang & Thomas Piketty) wrote a joint public letter to the Guardian Newspaper warning that his plans for a “permanent budget surplus”-“have no basis in economics” & are “not fit for the complexity of a modern 21st century economy”. Osborne has been enshrouded by a litany of blaring contradictions, U-turns, repeated dismal failings to meet his own fiscal targets & criteria, utter mismanagement & ignorance to his profession/position & economics along with extraordinary munificence & grovelling servility to the private sector & banks (including refusing to press charges against HSBC when their most recent round of gigantic white-collar criminality was made public) whilst expressing utter parsimony, callousness & extremism to the mass-majority British populous through malicious & insane cuts that continue to increase in there severity, extensity & future duration.

We don’t need a “shake up” in banking. We need to shake banking off! Disaster feigning as solution. Mind the bollocks! & be vigilant, cos’ the vampires & vultures are circling you, your children & future generations & most importantly, the bloody planet we & all life relies on exist.

read Decodes article on the same subject here –   n’ keep y’ dome dirt free!!!

Sonny & Linda Sharrock – Teleport & Time-Warp


Sonny Sharrock was an American guitar-maverick/revolutionary who inspired by the turbulence & absonant progression/permutation of John Coltrane & Ornette Coleman (& others) transfused what is to me the earliest form of Noisecore through the prism of chronic Avant-Garde Free Jazz Expeirmentalism. Imbued by the saxophone as a leading solo instrument, Sharrock created his own approach to the electric guitar, adhering loosely to the same antiphonic expression & intense extemporization as colossus saxophonists in The New Music/Avant Garde. During the mid-sixties he performed in session with Marzette Watts, Herbie Mann, Pharaoh Sanders & incredibly even Wayne Shorter (on 1969’s excellent Super Nova LP) before finally recording his debut as a leader “Black Woman” on the Frisco label “4 Men With Beards” in 68. Sharrock’s indelible supra-progression was largely in his course, anti-phonic, aggressive & ludicrously advanced methodology of guitar playing. At his most abrasive & “out-there” sections of Sharrock’s mid-sixties cacophonic-clarion sound, very literally, like modern-day Noisecore, Extreme Music, Improvisational Noise, Harsh Experimental genres. I find it difficult to overstate his precocity, the guy was there in a developed stage decades before anyone else (certainly to my knowledge) was doing anything like it. again, even comparing these bouts & techniques to neoteric “Noise” assimilating rubrics, this guys ridiculously futuristic & astoundingly-atypical playing style & compositional approach is so far forward it’s hard to believe, & I see his unique innovation & musical hostility as the first incarnation of so much modern “Extreme” music from Metal to Noise & it’s sub-strata’s. Continue reading Sonny & Linda Sharrock – Teleport & Time-Warp

Asscavern & Jet Jaguar KR3 Kill Spree

The Cavern_EdOk, so there’s two groups that you have probably never heard of, unless you are one of the most tenacious, autocephalic, crypt-raiding, independently-sourcing & intransigently-intrepid LURPS-like deep-density-explorers running off the kind of pure renegade fervency that so’ so rarely finds a host in today’s barren paste-land of tube-fed monopolized-media miseducated morons & couch-negatos.

There’s always someone that transcends logical progression & will jump a whole series of evolutionary frames & drastically escalate or indeed, upend entirely, the genre or rubric they are operating in. These two incomparably mutated outfits redefined the whole sonic-scape & took the whole professional-demolition & “Anti-Listener” decimation proficiency to a barely fathomable vertex with tons of idiosyncrasy & lashings of perfectionist experimental birth defects & phonic deformity.

Asscavern- King Of All Kongs (Bleg Excerpt)

Continue reading Asscavern & Jet Jaguar KR3 Kill Spree

Recent bleurk from the No-Skool-Noyzcore/Gunk micro-niche – Bollock Swine/Chappa’ai-split pink cassette

Bollock Swine-afrocentric ungulate

5yv new jolts rippling with unfathomable destructive prepotency & stuffed to bursting with hysterical femininity n’ insatiable Gunk frenzy User-Hostility, painfully pushing the body way beyond it’s natural abilities & thresholds resulting in truly cataclysmic & totally & utterly unrivalled pink-pandemonium-punishment & acme-ambulance utmost urgency. Chappa’ai really smash, bash, tear, rend, bray, mangle, shatter, demolish, level & tear down with inveterate Anti-Listener Torikowashi Blast-Noyz Gunk. Released on Tetsubishi Gob-Stopper Tapes, with lovingly hand-made sleeves, in a green cassette case, on a “plucky” pink cassette with hand sprayed on-bodies & limited to 377 individually numbered copies.

Tetsubishi Gob-Stopper Tapes-

Final Exit – Spreading The (S)hits CD:

Final Exit-STS

Further disturbance from veteran Tokyo turbulence trisectioned by/with/on/amongst “classical” genres & quality musicianship slamming headlong into Noise-Blur, Gunk expertise unt splendido spastication & non-musical No-Skool-Noyzcore spasm-spate & involuntary convulsion, projectile perspirations & priapism (probably, poku-poku). Excellent recording clarity, six new studio recordings & six live cuts from a recent central European tour, on Y-Records Japan.

Reforester-Sylvanic Sprawl Demo CDR:


Lofi, berserk, unforgiving Torikowashi NoiseGrind venerating trees, forestry & non-urban existence. Fucking fast as a mad beast of myth, non-stop (literally) ultra single-foot blasting from super sinews with improvised Grind, Noise & Metal guitars zipping through the foliage alongside. The ultimate verdant speed blast attack. Released on Kaz Records, Slovakia & limited to just 56 hand numbered copies.

all this bleruk is also available through the Gobbledy Gunk E-Orchard,

Phlegm – Fatalles part 1


Eradicate the evidence! Myth-manufacturing & selective documentation. Supress the remnants, concrete it over & set-up shop flogging the approved specimen where the temples once stood. It’s easier to look radical/unique/vanguard when all your peers/predecessors have been redacted, especially the formidable one’s. This is how the music industry generally likes to do it (these sub-human politician scoundrels too). So we go back to the truth, back to Choice, Bitches With Problems, Hoez With Attitude, Bo$$, Ghetto Girls, (Me-naj-ah-twa) & others for the true account/derivation of the hardcore female MC. How in the dastardly such originators have been expunged from the history files is just another shocking & unforgivingly shitty crime/further proof of the music Industries complete deficiency of commitment for the arts, quality or originality & the female MC’s that kicked it straight up the arse before Lil’ Kim got anywhere near a microphone. Nothing new there, but these warrior bitches & their almost total excision show the scale of unimaginable subterfuge/ignorance of industry failure & malpractice, underscoring an especially rank impression. Stunted off industry swill, historians/critics/writers/journalists seem to think/collectively assert that Lil Kim, who’s debut “Hard Core” surfaced in 1997 (that’s late on the scales), was the first female “hard-core” (explicitly raunchy, profane, hardcore/ganksta) Rap album/artist. Dunno’ where these deluded exegete’s get their deplorably erroneous shoddy-as-shit misinformation, but this is an out & out lie/irrefutable fallacy. To quickly clear something up, the lesser extreme female MC’s preceding Kim were artists such as Yo-Yo, Queen Latifah & MC Lyte. But none of the aforementioned were very vulgar, extreme, slab & hardcore. They were not exactly soft but there was a well-defined ceiling on their extremism, a respectability & a decorum benchmark that they would not exceed (which is respectable enough, I’m not criticising any of them for those artistic decisions just clarifying their intentional limits). The pre-Kim posse of female MC’s that completely fucked it up from a certified street perspective was Bitches With Problems, Choice, Hoez With Attitude, Bo$$, The Ghetto Girlz, The Conscious Daughters & (me-naj-ah-twa). Some have issued brilliant material, some cult classic, but due to the deplorable quality of journalism, industry conduct & disrespect for the craft/parentage have largely been excluded historically despite ground breaking contributions that will still knock a mothafukur straight into intensive-care. So lets set the bloody rekad str8 on these bitch-ass desk-job jerk-offs that don’t kno their arsehole from their mouth-piece…..

Just when yu thought it wuz sayf 2 come owt wit shabby as fuk gender stereotypes – Phlegm Fatales pt-2, full reviews of Choice-stick n move, The Ghetto Girlz-ain’t taking no shit, Hoez With Attitude- az much ass azz u want & Bo$$-born gangstaz on Bleg!



Back To Bollock!!!


Implausibly eccentric extremists Bollock Swine recently resurfaced from years in th pink custard with new releases & material, once again gashing new realms of ridiculousness with their unmistakable extemporaneous BlastBlurShredNoyzAvantGunkVacuum-Screamcore fluster-deformation. This exotic intensely divergent clamour of unbelievable Neko-Neko-Noyzcore nonsense debuted in 2004 with th double CD Empress Orchids Joobachi Quantum Drive Indictment Committee on Tetsubish Gob-Stopper, joining arguably th words smallest musical minority of th No-Skool-Noyzcore/Gunk outlaw guild such as Nee, Final Exit, World, OPS-PSF, Himitsu King & th harsher high qualities Wage-Slave Exchange & Nikudorei at their brief & best moment. BS was th only band to heed th call of absurdist Anti-Listener drum-machine enhanced champions Asscavern & Jet Jaguar KR3 Kill Spree in asserting th whole “inhuman” escalation & intensification by rivalling & even exceeding these machine enhanced Noisecore revolutionaries. “Tatsumaki” or “Blurbeat”, playing a two-handed blast-beats on th snare whilst one arm flits back & forth between a cymbal saw pretty much all th inhuman drum-machine & cyber-grind bands usurped in tempo, bpm & stroke. Bollock Swine blast harder, faster, longer & with more blast & blur variations than any other Noisegrind, Grindcore or extreme metal groups, underground or overground.

Continue reading Back To Bollock!!!