Prolific debauchery & plenty of it! an edgy, intemperate leviathan casting a pall of threat as well as riotous wonder & technical brilliance Cecil Taylor’s splendour trails for fuckin’ decades & frequently clambers to unimaginable alcoves. so’ so much could be drafted, but this review will concentrate on the Nuits De La Fondation Maeght trilogy recordings (captured during live group performances in France in 1969), which for me has so far been his best work from a particularly enigmatic period. Taylor was playing sprawling immeasurably intense reckless refulgence & asymmetrical avant wizardry with the insane Andrew Cyrille, for me indubitably one of the most fantastic & original drummers ever. out of the many things that could be said, I would emphasise that Taylor & his unit redefined the elongated-outburst & prolonged-peaking coming with ceaseless surging’s of unparalleled clamour & volatility. frequently without intervals, extenuation or cessation they would dance an immensely detailed & dynamic squall within the singularity of remorseless & unforgiving outermost, fully-cyclic, hell-for-leather frenzy. a heteronomous hurricane & blitzing blizzard of ebullient fulmination Cyrille was able to maintain physically these momentous requirements but also inflect with a cycle of extensive improvisational embellishment & continually capricious contrasting.
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