An excellent, short, plausible & lucid solution-based remedy on the fiscal villainy & mega malfeasance thats spiralling towards ever greater disaster in the banking & financial sectors. Written by a veteran of the field – David Shireff, who has been reporting on the finical world since the early 80’s, co-founded Risk magazine & also authored numerous books on the subject. David prefaces the book with – “this is not a radical book. At least, it shouldn’t be: Break Up The Banks! Is concerned with pragmatic ideas-not punitive or utopian ones. Still, for many, the measures that I am proposing might appear somehow beyond the pale. What I would argue, in response, is that fear of being radical has led to the situation we are in today.”
Weasel on weasel worm-holes! A scud-missile of the underground/alt/huh? – multiple genres, multi instrumentalist & multiple-personality basket-case in the first degree unt No Wave royalty with heaps of history trailing back over three states (Chicago, California & now New York) wit’ nare-near three decades dirt-doing & plenty douching all over the temple interior! louts & scouts – it’s tha Weasel to tha ferkin’ Walter:
A seminal clarion to the obliteration of Syria. This is a very powerful, distressing & extreme account of an unbearable conflict from ground-zero. This awful internecine catastrophe churns on without abatement to the tune of external entities and their ongoing intervention & incursion… with the Syrian people suffering at the centre of this multi-faceted proxy tussling and the Assad regimes barely discriminating (if at all) butchery & besiegement of the Syrian people. 
I dusted this magnificent book about two years ago. It’s impression remains very profound & I am writing this review after re-consulting all notes & rereading multiple marked sections that were designated during the first engagement. Published by one of the absolute greats in independent Middle-Eastern publishing – Al Saqi Books, these writings & their visual companions confront the Syrian tragedy head-on through an incredible inventory of artistic mediums comprising over fifty Syrian contributors, with examples of the 
“Now, several years on and with hundreds of thousands dead, something has changed irrevocably in his country. It will not return to what it was, not now, not ever. How can Syria ever be what it once was? It has been burnt alive by hatred.”
