Category Archives: Reviews

Cecil Taylor – Nuits De La Fondation Maeght x3 LP SET

Cecil Taylor-nuits de la fondation maeght_edProlific debauchery & plenty of it! an edgy, intemperate leviathan casting a pall of threat as well as riotous wonder & technical brilliance Cecil Taylor’s splendour trails for fuckin’ decades & frequently clambers to unimaginable alcoves. so’ so much could be drafted, but this review will concentrate on the Nuits De La Fondation Maeght trilogy recordings (captured during live group performances in France in 1969), which for me has so far been his best work from a particularly enigmatic period. Taylor was playing sprawling immeasurably intense reckless refulgence & asymmetrical avant wizardry with the insane Andrew Cyrille, for me indubitably one of the most fantastic & original drummers ever. out of the many things that could be said, I would emphasise that Taylor & his unit redefined the elongated-outburst & prolonged-peaking coming with ceaseless surging’s of unparalleled clamour & volatility. frequently without intervals, extenuation or cessation they would dance an immensely detailed & dynamic squall within the singularity of remorseless & unforgiving outermost, fully-cyclic, hell-for-leather frenzy. a heteronomous hurricane & blitzing blizzard of ebullient fulmination Cyrille was able to maintain physically these momentous requirements but also inflect with a cycle of extensive improvisational embellishment & continually capricious contrasting.

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Archie Shepp – Three For A Quarter One For A Dime 12”LP

Archie Shepp three for a quarter one for a dime_ed

The most intense & assaulting album of Shepp’s career! with barely a pause in the pyromania, this screaming sax slaughter over-loads the listener like some giant back-draft fulfilling it’s full blast radius & rinsing the parameter in prolonged cataclysm. pretty much full auto… even as the A-syd fades after a seventeen minute + spate, the flailing continues.

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Adjust – Your Bad Luck 12”LP

Adjust-your bad luck (Low Res)_ed

Adjust devise a hybrid of what I would define as Electronic beat-propelled Fusion. There are four trax that diverge considerably. Nerve & Escape From Detroit can be allotted loosely into some kind of down tempo IDM Electronica with a visible digital Hip-Hop pigment. The two others Scorch & Behavior Modification temporize entirely, & stand as a unique encounters of Extreme Digital Fusion. I say extreme not from adversity but more extensiveness, with astonishingly unpredictable & polymerous range, features & content. A constantly shape shifting receptacle for digital formation rather than a set substance. In that much the material or rubric/style is practically impossible to replicate, as Adjust have not committed or determined their own form fully. Pretty fukn cool.

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