Yikes! There goes Fenella Fielding. Back in the day, as immortalized by pasquinade such as Carry On Screaming, Fielding took ultra-nymphery & retina-searing sultry scrumptiousness with mo’ slink than a panther in eclipse, to like, vertigo-maximus. Continue reading of femmes & Fenellas (Fanella Fielding 1927-2018)→
These reports have been stalled behind massive sand-berms, flattened castles, toppled turrets…the Taylor one as I was waiting on a specialist to deliver a more punctilious exergete, which never showed-up, & the Muhal affair because I was so vexed at the loss of a well executed & adulatory review that had just been comprised (I failed to transfer it ‘successfully’ to a USB on a proxy computer, where the original was then deleted) >< . two pianists, one year either side (birth/death) & one premonition – Continue reading Muhal Richard Abrams – Cecil Taylor→
Anda union rolled through town again tuther’ day. This is a great & pleasingly successful collective of largely young musicians from Inner Mongolia playing traditional Mongolian folk music with a few of their own tweaks & personalizations stowed in tha mode. Their success is indicative of the growing suffuse of the “World Music” epithet, but it’s also what happens when the machine gets behind a specific act. Continue reading Egschiglen – Anda Union – Chinbat Baasankhuu – Bayarbaatar Davaasuren – sounds of Mongolia→
So, Eddie Harris asserted himself early (his first album surfacing in 61) as a band leader & composer, playing sax, keys & vocals. The tenure of his that are the focus of this garble comes in the very late 60’s, when Harris started to transmute from Bop to spectrums of Funk, Fusion, Soul & very importantly – Free Jazz, without discarding his bop groundings. Nothing wrong with his derivations, & the earlier epoch, but the major excitement for me comes from when he started to effuse the new found multiplicity head-on & load more & more humour, mischief & cross-curricular dynamism in his music. Continue reading Dope as fuck Eddie Harris:→
The latest in a long line of lumped lascivity & paraterrestrial abilities – Kikanju Baku upends in conjunction with ‘politician free planet’ & Gosh-Glut Godatsu Disruptions (another live collisionary conscript production dump from Kikanju) three sub-studio sessions with Bollock Swine & an undesignated amorph of frenzied intemperate indignation hyper-destructive harsh noise hysteria & indefensibly erratic percussive atom-disaggregation (‘Condign’). Continue reading Condign – Kikanju Baku – 886VG – Bollock Swine – Flensecore galore (fuck Israel):→
Once upon a time, there was this really’ really oishi, fuck-it!, – uniquely oishi, five piece from Osaka playing “fast progressive junk” (more on this eponym shortly). A very difficult shape to outline, HK squirted, doused, spumed – structured Noisecore, Prog-addled Grind/HC/Fastcore mismatched with a small but integral 15% provision of ‘anything else’ from computer game themed scrat, J-Pop garbage, turbid Reggae & 90’s Anime instrumental soundtrack lachrymose. Continue reading ひみつキング/Himitsu King ~ hyper-henka Osaka Noisecore (Fast Progressive Junk):→
The final installment from Nabeg’s 2015 outbreak. Ungovernable politicized mass-rioting & civilian-on- state violence recorded at the sedition station. Incomparable & unmatched. Continue reading NABEG-our vision for your future CDR:→
Weasel Walter & Kikanju Baku reflect on the recent death of a cult sentinel of ‘The New Music’ golden era/extreme conflag free megrim hysteria:Continue reading Sunny Murray 1936-2017→