All posts by Kanju

Vaudou Game – Apiafo 12” LP

Apiafo

Vaudou Game – Apiafo Bleg Excerpt

Here’s an interesting exercise in atavism. A contemporary shot at a distinctly ancient style using purely analog recording equipment to re-enact/enkindle the original sound & energy-currents. There are some really astonishing 60’s/70’s African reissue compilations (particularly the West African stuff) doing the rounds, most notably for me the superb Analog Africa series levelling some profound gyration & beautiful distorted obscurer from multiple decades back. Vaudou Game perform the raw Funk influenced sound from the Benin, Togo, Ghana districts commingled with Afro-Beat & some Rock styled residue. Continue reading Vaudou Game – Apiafo 12” LP

Sonny Sharrock – Monkey Pockie Boo 12”LP

Monkey-Pockie-Boo

Sonny Sharrock – Monkey Pockie Boo Bleg Excerpt

The seminal shockwave. Passion-sodden discordant ictus lurid contumacious mayhem with all the hinges gone & the screws ejected from their cavities. Sharrock & his mad-moll Linda took certain principles further than anyone & FIRST! it certainly did not always work but this classic LP is an excellent display of Sharrock’s churlish Avant-Garde aggression. Summoned to agitate the storm-currents are Sharrock on guitar & vocals, his partner Linda on vocalizations & two French session musicians that were synonymous with the BYG/Actuel collective & performances – Beb Guerin on Double Bass & the excellent Jacques Thollot on drums. there are three expeditions, one with a hugely destructive radius – “Soon”. Side-A’s solitary track is the unsettling & ectopic “27th Day, a sixteen minute plus metaplasia of cardinal Avant oddity. It’s a spectacular, bizarre & intensely estranging experience. Continue reading Sonny Sharrock – Monkey Pockie Boo 12”LP

Sonny Sharrock – Black Woman 12”LP

sonny_sharrock_black_woman

Sonny Sharrock – Peanut (Bleg Excerpt)

So this is actually the initial Sharrock as a leader effort, recorded in 1968 two years before the more widely vaunted Monkey-Pockie-Boo LP. Sonny scrambles Dave Burrell on piano, Milford Graves on drums, Norris Jones on bass & of course Linda on larynx-lallation. There are five tracks on the LP, all splaying to different dichotomies. Frankly, I think all but one are really quite terrible, albeit very interesting & adventurous conceptually. Some of Sharrock’s themes & the simplicity exacted (stripped back acoustic for example on Blind Willie), plus the nature of the totally admirable but (to my ears) lost & unfulfilling experimentalism fail to accomplish substantiation as a complete track. Continue reading Sonny Sharrock – Black Woman 12”LP

Sonny & Linda Sharrock – Teleport & Time-Warp

Sharrock

Sonny Sharrock was an American guitar-maverick/revolutionary who inspired by the turbulence & absonant progression/permutation of John Coltrane & Ornette Coleman (& others) transfused what is to me the earliest form of Noisecore through the prism of chronic Avant-Garde Free Jazz Expeirmentalism. Imbued by the saxophone as a leading solo instrument, Sharrock created his own approach to the electric guitar, adhering loosely to the same antiphonic expression & intense extemporization as colossus saxophonists in The New Music/Avant Garde. During the mid-sixties he performed in session with Marzette Watts, Herbie Mann, Pharaoh Sanders & incredibly even Wayne Shorter (on 1969’s excellent Super Nova LP) before finally recording his debut as a leader “Black Woman” on the Frisco label “4 Men With Beards” in 68. Sharrock’s indelible supra-progression was largely in his course, anti-phonic, aggressive & ludicrously advanced methodology of guitar playing. At his most abrasive & “out-there” sections of Sharrock’s mid-sixties cacophonic-clarion sound, very literally, like modern-day Noisecore, Extreme Music, Improvisational Noise, Harsh Experimental genres. I find it difficult to overstate his precocity, the guy was there in a developed stage decades before anyone else (certainly to my knowledge) was doing anything like it. again, even comparing these bouts & techniques to neoteric “Noise” assimilating rubrics, this guys ridiculously futuristic & astoundingly-atypical playing style & compositional approach is so far forward it’s hard to believe, & I see his unique innovation & musical hostility as the first incarnation of so much modern “Extreme” music from Metal to Noise & it’s sub-strata’s. Continue reading Sonny & Linda Sharrock – Teleport & Time-Warp

Yosuke Yamashita Trio-Chiasma, Clay, Up-To Date & Frozen Days LP

Yosuke Yamashita Trio 2Here’s one of the most staggering, energetically-strenuous, bedlam-hoisting dynasties in explosive bisecting Free Jazz intensity. As independent musician’s these laureates each excel in their own immense pedigree, but as a trio entity they fused & co-founded a hulking opalescent deluge of atom splintering, non-negotiable, prolonged-pandemonium-pummel-prism & volleyed forth a massive concatenation of consistently eviscerating recordings with a reliability & emblem of quality for the most excruciatingly effusive of outbursts. Lead & founded by pianist Yosuke Yamashita, most references encountered refer to him as “The Japanese Cecil Taylor”! Continue reading Yosuke Yamashita Trio-Chiasma, Clay, Up-To Date & Frozen Days LP

Asscavern & Jet Jaguar KR3 Kill Spree

The Cavern_EdOk, so there’s two groups that you have probably never heard of, unless you are one of the most tenacious, autocephalic, crypt-raiding, independently-sourcing & intransigently-intrepid LURPS-like deep-density-explorers running off the kind of pure renegade fervency that so’ so rarely finds a host in today’s barren paste-land of tube-fed monopolized-media miseducated morons & couch-negatos.

There’s always someone that transcends logical progression & will jump a whole series of evolutionary frames & drastically escalate or indeed, upend entirely, the genre or rubric they are operating in. These two incomparably mutated outfits redefined the whole sonic-scape & took the whole professional-demolition & “Anti-Listener” decimation proficiency to a barely fathomable vertex with tons of idiosyncrasy & lashings of perfectionist experimental birth defects & phonic deformity.

Asscavern- King Of All Kongs (Bleg Excerpt)

Continue reading Asscavern & Jet Jaguar KR3 Kill Spree

Tunnel Canary – Jihad CDR

Tunnel Canary-Jihad

Right so, it’s 1980! & some goons from Vancouver are about to vault a decade or so ahead in some kind of precocious portendral catapulting. Tunnel Canary! Who were active between 1978-1983 & transfigured tremendous histrionic, chaotic wild & fervent horrisonant scream-stippled psychedelic sundry, or using neophyte terminology – “Noise”. The sodality consists of three antagonists – Aleh Kaheen (Nathan Holiday) on electric guitar, synthesizer & “processed effects”, Ebra Ziron on vocals & David Sheftel shifting bass & electronic effects. A massive menu of manoeuvres & modalities are mustered, but heaps of cacophonic, harsh, high-pitched, distraint & turbulent turmoil, string straining fret-foible & guitar grating, searing & psychedelic synths, harsh/super distorted Noise, Feedback, Power Electronics & stentorian frequencies. Continue reading Tunnel Canary – Jihad CDR

Industrial Noise Revival – Eine Stunde Merzbauten CD

Industrial Noise Rivival

A humungous harsh plenoast through the soviet junk-yard & hypogeal caverns & cave-complexes. Industrial Noise Revival is actually veteran Stentorian Radek Kopel & his recently deceased accomplice Martin Beraxa, therefore “Napalmed”, the long running Czech Industrial-Harsh-Experimental-Noise goliath. There are three colossal tracks condensed into a single eighty minute convulsion. So a band called Industrial Noise Revival delivering three tracks actually is Napalmed providing one sustained voltage & venting. The two musicians tear through troves of equipment & sound-substances, but remain firmly in intense free-fall throughout. It’s basically a blank frame with multifarious noise wandering through it. In that respect, it can become fairly laborious. It seems much more like a demonstration of very cool sounds, phonics & ideas.

Continue reading Industrial Noise Revival – Eine Stunde Merzbauten CD

My Life as a Foreign Country – Brian Turner – Autobiography/Memoir

My Life As A Foreign Country282
Brian Turner is a poet/writer & ex US Army veteran who served for seven years with stations in both Bosnia-Herzegovnia & Iraq. This excellent book extends many ruminations & accounts during, after & prior to his deployment, defined by Turner’s starkly descriptive & stylized writing characteristic. His style is blunt & terse but also verbose, ornate & often abstruse & cryptic with many peregrine qualities. It’s evocative & can be considerably ambiguous, sometimes to extremes, I would not even be uncomfortable with christening it avant-garde on occasion, whereas at others it’s profoundly direct with a literary brutality. Some of the passages are very abstract & have a dream-like/oneiric angle. The book can easily be read for these qualities alone, irrespective of any absence of interest in modern war & conflict. but should a desire for knowledge in the inner-realities of recent conflicts be present, Turner’s accounts contain reams of salient information from his very direct experience of military conduct in Iraq & the muted phenomenon of post conflict home-coming/reintegration into the civilian sphere & demilitarization. Continue reading My Life as a Foreign Country – Brian Turner – Autobiography/Memoir

City Of Lies: Love, Sex, Death & The Search For Truth In Tehran – Ramita Navai – Non Fiction

Ramita Navai-City Of Lies280City Of Lies is the fantastic debut by British-Iranian journalist Ramita Navai. An exceptionally engrossing book that I scoffed back in a few days due to the massively captivating content and excellently evocative writing ornamentation/style of the author. The enigma that is contemporary Iran (Tehran specifically in this case) has been a focal fascination for me for some time as one of the most intriguing, ornate, tragic, exotic, and contradictory nations/cultures on earth, where essentially a draconian theocracy adnates with the madness of modernity amongst the vestiges of an early empire commingled with trace relics of a mysticism/religion (Zoroastrianism). Continue reading City Of Lies: Love, Sex, Death & The Search For Truth In Tehran – Ramita Navai – Non Fiction