Here’s a one of Lake’s more obscure/overlooked projections. I can’t see why as it’s another scintillating discharge of baroque densely detailed mellifluent odd & erratic Avant-Garde mastery that strolls it’s own disparate track with stark individuality. Core associates Pheeroan akLaff & Michael Gregory Jackson are once again entwined, performing two of the four trax as a trio with Lake on side two, & joined by the rather aberrant compository of three violins, a cello (bowed by the excellent Abdul Wadud) & a piano (Anthony Davis) for the A-side’s two tunes. Lake composes all tracks & they veer & contrast considerably between massively chaotic free-formations, highly melodious & abject atonal, soft & frenzied, coherent & agitated all with Lakes signature of super graceful amazingly controlled sapiential complexity & gigantic virtuosity.