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Phlegm – Fatalles part 1

FF

Eradicate the evidence! Myth-manufacturing & selective documentation. Supress the remnants, concrete it over & set-up shop flogging the approved specimen where the temples once stood. It’s easier to look radical/unique/vanguard when all your peers/predecessors have been redacted, especially the formidable one’s. This is how the music industry generally likes to do it (these sub-human politician scoundrels too). So we go back to the truth, back to Choice, Bitches With Problems, Hoez With Attitude, Bo$$, Ghetto Girls, (Me-naj-ah-twa) & others for the true account/derivation of the hardcore female MC. How in the dastardly such originators have been expunged from the history files is just another shocking & unforgivingly shitty crime/further proof of the music Industries complete deficiency of commitment for the arts, quality or originality & the female MC’s that kicked it straight up the arse before Lil’ Kim got anywhere near a microphone. Nothing new there, but these warrior bitches & their almost total excision show the scale of unimaginable subterfuge/ignorance of industry failure & malpractice, underscoring an especially rank impression. Stunted off industry swill, historians/critics/writers/journalists seem to think/collectively assert that Lil Kim, who’s debut “Hard Core” surfaced in 1997 (that’s late on the scales), was the first female “hard-core” (explicitly raunchy, profane, hardcore/ganksta) Rap album/artist. Dunno’ where these deluded exegete’s get their deplorably erroneous shoddy-as-shit misinformation, but this is an out & out lie/irrefutable fallacy. To quickly clear something up, the lesser extreme female MC’s preceding Kim were artists such as Yo-Yo, Queen Latifah & MC Lyte. But none of the aforementioned were very vulgar, extreme, slab & hardcore. They were not exactly soft but there was a well-defined ceiling on their extremism, a respectability & a decorum benchmark that they would not exceed (which is respectable enough, I’m not criticising any of them for those artistic decisions just clarifying their intentional limits). The pre-Kim posse of female MC’s that completely fucked it up from a certified street perspective was Bitches With Problems, Choice, Hoez With Attitude, Bo$$, The Ghetto Girlz, The Conscious Daughters & (me-naj-ah-twa). Some have issued brilliant material, some cult classic, but due to the deplorable quality of journalism, industry conduct & disrespect for the craft/parentage have largely been excluded historically despite ground breaking contributions that will still knock a mothafukur straight into intensive-care. So lets set the bloody rekad str8 on these bitch-ass desk-job jerk-offs that don’t kno their arsehole from their mouth-piece…..

Just when yu thought it wuz sayf 2 come owt wit shabby as fuk gender stereotypes – Phlegm Fatales pt-2, full reviews of Choice-stick n move, The Ghetto Girlz-ain’t taking no shit, Hoez With Attitude- az much ass azz u want & Bo$$-born gangstaz on Bleg!

 

REVIEWS: BWP, Choice, HWA

Back To Bollock!!!

BSLOGO_ed

Implausibly eccentric extremists Bollock Swine recently resurfaced from years in th pink custard with new releases & material, once again gashing new realms of ridiculousness with their unmistakable extemporaneous BlastBlurShredNoyzAvantGunkVacuum-Screamcore fluster-deformation. This exotic intensely divergent clamour of unbelievable Neko-Neko-Noyzcore nonsense debuted in 2004 with th double CD Empress Orchids Joobachi Quantum Drive Indictment Committee on Tetsubish Gob-Stopper, joining arguably th words smallest musical minority of th No-Skool-Noyzcore/Gunk outlaw guild such as Nee, Final Exit, World, OPS-PSF, Himitsu King & th harsher high qualities Wage-Slave Exchange & Nikudorei at their brief & best moment. BS was th only band to heed th call of absurdist Anti-Listener drum-machine enhanced champions Asscavern & Jet Jaguar KR3 Kill Spree in asserting th whole “inhuman” escalation & intensification by rivalling & even exceeding these machine enhanced Noisecore revolutionaries. “Tatsumaki” or “Blurbeat”, playing a two-handed blast-beats on th snare whilst one arm flits back & forth between a cymbal saw pretty much all th inhuman drum-machine & cyber-grind bands usurped in tempo, bpm & stroke. Bollock Swine blast harder, faster, longer & with more blast & blur variations than any other Noisegrind, Grindcore or extreme metal groups, underground or overground.

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