Stephen Fry has been busy writing letters this week. Fry added his name to the Creative Community for Peace, a conventicle of successful western glitterarti or “members of the entertainment industry” who oppose boycotting measures against this years controversial Eurovison Song Contest, scheduled to be held in Tel Aviv.

My how you’ve fallen.

The city gets worse & worse & worse! So naturally you bomb-over to the largest of parks (the wildest ones) as often as possible to shrive some of the urban enclosures anthropocentric death-dealing pollution pantheon.. shake-off the contaminants shroud. & you know what’s really spectacular for those that know how to look – the ‘unmanaged’ free-thriving stretches of unmolested verdancy …the microcosms that are unscathed by man’s destructive & reductive interventions & obsessions with control, order, allocation, script & plant prejudice.

NICE BUNCH: Thousands of indignant, conscientious, determinable people waging unified, protracted protest in the form of coordinated direct action in central London. Amazing! As a Londoner, I can personally offer my utmost gratitude for all/any that have bravely disrupted our suicidal practice/daily inertia via their immensely inspiring & energetic actions.

Bodies shorn of noggins! Cheap torn stockings & blotting-frottings (presumably bumper-croppings). Shuck the fuck-up/out/over! Gush-Gyna Hard-Vacuum Stentorian sensationist severecrats dump the gargoyle-gazillion gorgon-Gunk with the hardest damage-dispensation, longest blast-radius, ultra Blur twattle, grievous User-Hostile Grindnoise for the ultimate absurdist concentric concentrated adrenaline spraying love-lunatics Screamcore supremacy Neko-Neko-Noyzcore shred-blur, warp, garbage.

Absolute bad-arse! The seminal duumvirate classics – Emergency! & “(turn it over)” from Tony William’s Lifetime unit still secure some of the greatest Jazz pedigree of all time. & they scout & dash way beyond Jazz, transmogrifying a staggeringly eclectic & radical concoction of acutely personalized hard rock, break-beat, experimentalism, avant-garde, noise, beatnik-ellipticism & of course – Fusion, all with deadly technical verve. Dingy, semi-lofi, edgy, with the organ & guitar prone to mild discordance, scripted but also suffuse with wild & extremely rash improvisation, soloing, ad-lib articulations & embellishment.

My cassette to digital dubbing still sucks shab! I do what I can with what I got…which is straight out the canal!

Ok! So I got to save a few lightning bolts here – archives like archeological dig-charts. In the desire to cover more material, I am constricting to bunched posts with less magnification in addition to the usual abundantly-analytical warble. Here is the first of such flounders –

All in a day’s dirt. The remarkable acceleration of societal annihilation of unmitigated corruption under the Tories catastrophic 2010 takeover. Anyone that reads a decent paper regularly will be pummeled senseless by a withering torrent of daily degradations delivering the latest casualties in the Tories new plutocracy. It is so widespread, so prevalent & so fast flowing that it’s hard to keep up with (crisis’ after crisis’ after crisis). No doubt this is tactical, it’s almost impossible to keep stock or react specifically as it’s a continuing assault of tidal waves.

Be still cretin! Foju 浮遊 Frequency (Foju Fuyuu Frequency) was a 3 section Abnorm, Poise-Spore sundry comprising Kikanju Baku on drums, Adio – noise, FX-pedals, voice, guitar & Mimi Cobra Kobayashi on synthesizer, voice. Their paranormal dalliance was legendary & without restraint. The assembly was rabid from something like 2011-2013, recording a series of rituals & excavations that rearranged accepted limits & predictable models. What was it?