
“Once I knew of about d’Offay’s painting, I could no longer put the behaviour of Printz and King-Nero down to inexperience. The existence of the canvas suggested instead a deliberate policy to reshape Warhol’s achievement, to rewrite art history by denying authenticity of a pivotal work, which they had the strongest evidence of Warhol’s authorship.”
Continue reading Warhol After Warhol – Power and Money in the Modern Art World (Richard Dorment):